
Friday, May 10, 2013
Shark Tank Review 05/10/13

Thursday, May 9, 2013
You're an indie artist!! Get noticed!!
A&R Getting Signed
By Kenny KernerOne of the most difficult things to understand is what the A&R Community is really looking for. What does an artist have to have to get signed to a recording contract? For lack of a better name, I call these intangible things "signing ingredients." And the more of them you have, the more likely you are to get signed!
During my 30 years as an Editor and Music Journalist, I've interviewed over 200 members of the A&R Community and, based on those interviews, was able to compile a Top 10 list of important signing ingredients. So, in order of their importance, here's what you need to get signed:
- Passion
That intangible, inner-emotion a singer or band possesses that makes him/them believable. Otis Redding, Janis Joplin, Aretha Franklin--all possess it.
- Songs
The very essence of success. The reason this did not come in at #1 is that songs can come from many different places--publishers, covers of other songs, the artist, himself, collaborations, etc. So, if the artist isn't an amazing songwriter, he/she can still obtain amazing songs.
- Live Show
This is how a musician sells his CDs and merchandise. A poor live show, and you turn off your audience. A great live show, and you've made a fan for life. Live shows also tell an A&R person whether you are communicating with your audience and if they are accepting your music.
- Star Quality
Is there someone bigger than life in your band? A Gene Simmons? A Mick Jagger? Rock star Billy Idol wasn't much of a singer, yet he went on to become an international rock icon because of his star quality. Skid Row's Sebastian Bach had star quality. Remember him?
- Marketability
Can your image and music be marketed to a targeted audience? Who is likely to buy it and why? There is little demand for Lithuanian accordion music, so regardless of how you shine on that instrument, the chances of you landing that big-bucks record deal are slim, at best.
- Group Focus
For a solo artist or duo, this is a no-brainer. But, as a band, is everyone pulling in the same direction? Does the band/artist have a plan? Is the manager aligned with the artist's plan? Where are the trouble spots?
- Hunger
How hungry are you to make it? And I don't mean when did you eat last! Is the artist spoiled? Will the artist do anything to make it? Are they willing to earn a record deal? Many artists that have been around for years are under the misconception that because they're still performing and staying together, they've earned the right to be signed. Not true.
- Business Savvy
Does the artist know how things in this industry really work? What kind of "Pro-Team" have they assembled? Do they need a manager? Attorney? What do they expect?
- Red Flags
Are there any troublemakers in the band (or is the solo artist himself unreliable)? Any personal problems like sex? Drugs? Money problems? Is there anything or anyone that might prevent this artist from pursuing a career in the music business? Girlfriend? Boyfriend? Former wife? Children?
- A&R Instinct
What does my A&R instinct tell me about this artist? Am I in love with this band? Am I willing to risk my job, my benefits, my vacation and my expense account to get them signed? What do others in my company think? Bringing an act into a record company when you are the only one championing their cause is the beginning of the end--for both of you.
Before making his final decision, an A&R person will see how many of these talent ingredients his act has--and then go from there. Considering it takes about one-million dollars to properly promote each new act, don't expect a flurry of signings at any one label.
Need a Record Deal, Publishing Deal, or Film and TV placement for you music? Then check out TAXI: The World's Leading Independent A&R Company. |
Thursday, December 20, 2012
Unwrap Chicago
Click the link and Unwrap Chicago
Sunday, October 7, 2012
Coaching Creativity
I love coaching so let's do a virtual coaching session to determine how we can be more creative.
- What do you really love to do? Or restated, what would you do that you love without being paid for it? I may be hurting myself with this statement but I love dj'ing and have been doing it for the love since day one. Yes I have been paid to dj, but it's my passion and I would do it without being paid. (Shhhh, don't tell the promoters or club owners =)
- Are you good at doing what you love? Are you good enough to charge for your services or products?
- Who is doing what you love and getting paid for it? If they're doing it, do you think you can do it?
- So what's stopping you?
Wednesday, September 12, 2012
3 Event Planning Lessons I've Learned
- Be as diverse in marketing as you possibly can. I threw a nice looking white party a few years ago. I was able to get sponsors to provide wine and food, nice cheese and fruit trays, the venue was free and helped me make fliers. Everything was perfect except the attendance. This was due to poor marketing on my part. I could point to factors such as this was pre-facebook and social media, I was a one man team, and I don't have many contacts. But the bottom line is that I did not market effectively. I had fliers and word of mouth then. Today there is facebook, Twitter, blogs, email, text messaging and more. Use all of them together. Be persistent without overbearing. And respond to R.S.V.P.s if possible, it adds a personal touch.
- Develop an eye for the details. As you form partnerships and sign contracts do not take your partner's word that they have everything on the contract covered because we can all miss things. A few years back we partnered with a food vendor to help us with a community picnic. The food vendor said that his license covered amplified sound so that we could play music. The day of the event the park district shut us down because his license did not cover amplified sound and no one on my team looked at his license to double check. Double check the details and avoid embarrassment later.
- As for your team, how do you deal with people that don't pull their own weight? I've worked recently with people that say they want to do events but won't do anything to make that happen. The best way is to get dead weight off of your team. When, for whatever the reasons may be, you can't drop them then you must learn how to use the talents they may have, and to spread the other tasks out so that they aren't a burden to the rest of the team. You may not be able to drop family members, senior partners or even friends. But you can make their responsibilities smaller and leave the important jobs to those that you can depend on. Lastly, when you have a member of your team like this be sure to follow up on any job you give them to make sure it's done right and you have no mistakes as in lesson 2 above.
Sunday, September 9, 2012
Please Indulge this Shameless Self Plug
- National Battle of the Bands http://thebattle4america.com/
- Fre Music DJ Curriculum
- Fre Music Men's Basketball Tournament
Friday, August 31, 2012
Can Friends Negotiate Business?
So in addition to being an author, entrepreneur and business/artist coach I'm also a club dj here in Chicago. My entrepreneurial friend also does many things and has asked business favors of me in the past which I've happily delivered. This time he requested that I edit a few of my mixes and put his business name on them for a mini-mix he would release every Friday on his Facebook business page. In exchange he would put the link to my podcast on his personal page. I felt and expressed that his offer wasn't enough and sent him a 'Co-Sponsorship Agreement' proposing mutual promotion of each other's businesses and events on our respective Facebook business pages. This is when the negotiations began and our initial conversation ended up with him angrily hanging up the phone.
This year my goal has been to create smart collaborations that are win-win for all parties involved. In fact I fit one of the 5 types of negotiators, Collaborators, in which win-win is the objective, but sometimes we can make things a little more complicated. This is what my friend expressed and perhaps there is some truth in his belief. In his eyes his request was simple because the mixes we already done and his exchange was fair. In my opinion his request was not as simple as he believed because of the time involved in the editing and the quality of the total product on my end, and what he was offering in exchange didn't meet my needs. Since I have been focused on building my businesses I felt that our agreement could be used as leverage for other agreements. I also need people to attend the events we host as opposed to needing exposure to my podcast mixes. His position was that his business doesn't promote other events and that exposure from his personal page was sufficient. It wasn't win-win in my opinion and our second conversation about the matter ended with me suggesting we table this discussion until a future date. The reality is that we probably won't work together, and while this is a little disappointing I'm ok with that. But the experience did leave me with a few questions and thoughts for all of us to ponder:
- Was I being unreasonable?
- Should I have just done the favor for my friend as opposed to complicating it with business?
- Is what I was offering a value to the other party or just my own perceived value?
- Did I truly recognize the value that he was offering?
- Was my communication poor?
- What do they want?
- What do I want?
- How can I help us to get what we both want?
- What is the costs involved and are they feasible?
- What is the value of your product?
- Is it ok to not get what you want from the negotiation?